![]() Kathy was 22 years old when she married Jennifer’s father, Jerry Jones, in 1985. Kathy told her mother that if she wasn’t going to live the right way, she was going to live the wrong way. She’d tried to steal her grandma’s car when the old woman was taking a bath. When she was fifteen, she’d stolen a horse and sold it for a couple hundred dollars. As a teenager, Kathy had rebelled against authority by sneaking out of the house and stirring up trouble. The rough life was certainly familiar to Jennifer’s mother, whose childhood was marked by abuse. She’d had a lousy upbringing, even by the standards of Mineral Wells, a meth-scourged town whose population had declined and whose economy had crashed when Fort Wolters was closed, in 1975. 22.ġ2-28-00 Dear Journal, These dreams are coming to me for a reason, showing me some kind of sign. JENNIFER JONES HAD BEEN LOOKING for logic and patterns in her surroundings in a diary she’d started at age fifteen, three years before she was accused of shooting Bob Dow in the head with a. Right up to the moment she heard a police radio outside the truck door. She was content for the first time in her life. Jennifer had always believed that she was a distant relative of Clyde Barrow’s, and she knew the tragic ending to that story. They were living the outlaw dream: Thelma and Louise, Bonnie and Clyde. When George Strait’s “I Cross My Heart” came on, Bobbi Jo and Jennifer wrapped their arms around each other and slow-danced.Īs soon as the temperature dropped, they climbed back in the truck and drifted off to sleep. They set a blanket and pillow down on the ground so they could look up at the stars while they listened to the truck’s radio. That night they pulled up behind an abandoned pool hall in the tiny town of Blythe, about ten minutes past the state line. Maybe she could get a job as a waitress up in Washington State, a heaven she had seen on the pages of Better Homes and Gardens. She imagined their life together on the run. Jennifer watched Bobbi Jo nod off in the passenger’s seat as the sun set. Alone now, the two continued on into California. I’ll drive.”Ī couple days later and halfway across Arizona, the group started to splinter, and Jennifer and Bobbi Jo decided to head out on their own. Bobbi Jo took the wheel as they sped out of town, telling the others, “I did this. “We need to get out of here fast.” And before anyone could stop to think about it, all five of them jumped into Bob Dow’s truck. And she had no intention of going to the police. “If that’s true,” said Kathy, “you need to call the cops and tell them what happened.” Everyone glanced at one another, waiting for someone to call Bobbi Jo’s bluff, but she wasn’t kidding. Bobbi Jo Smith, whose trial is pending, was not interviewed on the advice of her attorney.) (The account that appears in this article is drawn from interviews with Jennifer Jones, her family and friends, police records, witness statements, and trial transcripts. Even if they were having a hard time remembering which version of the tale was true: Had Bobbi Jo pulled the trigger? Had Jennifer killed him? Or was it that Jennifer shot him in the arm and then Bobbi Jo finished him off? Their stories had begun to morph even before they’d left town. If they were captured alive, they’d have a heck of a story to tell. The two had been combing the headlines of newspapers at gas stations all along Interstate 10, but not once had they seen any mention of Bob Dow, their former housemate, whom they had left back in Mineral Wells in his bed, his face covered with a pillow and pierced with three bullets. Still, she felt glamorous being on the run, and she was a tiny bit disappointed that there wasn’t a blockade of state troopers ready to gun them down as they drove past the “Welcome to California” sign. “We can’t run forever,” Jennifer told Bobbi Jo she’d seen too many episodes of America’s Most Wanted to think otherwise. She was driving a 1989 blue-and-tan GMC pickup with a busted radiator that she and her new girlfriend, Bobbi Jo Smith, had stolen back in Texas. The baby-faced eighteen-year-old’s legs and arms were sunburned from the beams that shone down hard through the windshield, warming the cloth seats and intensifying the musty smell of cigarette smoke and marijuana. AFTER THREE DAYS OF TRAVELING, Jennifer Jones was exhausted as she drove across the state line from Arizona into California.
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In the message is a video of your beloved wife riding a mystery man, shot POV-style. You open your phone to see a text from an unknown number. Equip yourself for all your sound design needs, with Native Instruments Komplete 13 from Sweetwater. Best of all, the individual products are all very easy to browse through, making your entire creative process, from writing to mastering, totally streamlined. And Komplete 13 really covers all angles - whether you need pulsing tribal drums for an ad, a solemn acoustic piano for a short film, or powerful sound design capabilities to create sound effects, Komplete 13 Ultimate has the tools you need. If you produce audio for video on a regular basis, you know that you can never have too much content to pull from. Inspiring tools for post-production, sound design, and masteringīecause Komplete 13 Ultimate is such a powerful tool for songwriting, it’s easy to forget that it’s perfect for post-production, too. It’s the perfect combination of software flexibility with the hands-on control you’d expect from a traditional hardware keyboard or groove machine. But I want to see development, and therefore I would like to know how I know what package is oldest. So, I thought I would make myself a project to get to know the all. Not only can you browse your Komplete 13 library for instruments and effects directly from your hardware, but you can also call up individual presets via the tag/category-based browser and tweak them to perfection without touching a mouse. Since I have Komplete 13 Ultimate, I also have tons of Expansions packs. If you’re rocking a Kontrol S- or A-series keyboard controller or Maschine creation tool, then you’ll be blown away by the way Komplete 13 Ultimate fits into your workflow. These and other favorites, including Reaktor 6, Battery 4, the re-engineered Guitar Rig 6 Pro, come pre-loaded onto one handy installation drive for instant access. 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If you want to reach music educators and students at massive scale, though, then you need to make tools that live in the browser. Much as I love Dorico, it is desktop and iPad software only. Here’s a more complex example–image via David MacDonald: Dorico is the first piece of software I know of to allow you to do that. In a perfect world, you could have both notation and the piano roll visible on the screen at the same time, set up so that any change you made in one view would be instantly reflected in the other. Still, the piano roll is an extremely valuable interactive learning tool, because it’s so discoverable through trial and error. There is no good way to show notes fading in or out, and if you want blue notes or other microtones, you have to start with piano-key pitches and then modify them with the Pitch Bend parameter. Like notation, MIDI presumes that pitches and rhythms are always going to be discrete. That said, the piano roll also has its own limitations. The standard was designed with 12-TET in mind, and chromatic music is actually easier to represent in MIDI than diatonicism. ![]() There’s no need to calculate rests to fill silences, and no need to worry about accidentals. You simply draw the notes where you want them. The MIDI piano roll is less human-readable than notation, but vastly more flexible. Showing complex syncopation and polyrhythm is a headache in notation, and you can’t represent swing at all. ![]() The idea of starting with a diatonic scale and then modifying it with accidentals works fine for Mozart, but it is horribly awkward for chromaticism. Notation became standardized before twelve-tone equal temperament did. Standard Western music notation evolved over a long period of time to be human-readable, but it also evolved in a particular cultural context, one where harmony was mostly diatonic and rhythms were mostly simple. However, any visualization scheme will work better for some concepts than for others. The beauty of interactive interfaces is that your ears support your eyes and vice versa. ![]() Imagine if the Noteflight embed included a pane that showed this: These are just as advertised.It is awesome that you can embed interactive Noteflight scores in a web page, like so:īut for optimal music education results, I also want to be able to show that same example in MIDI piano roll view too. User interface and experience upgrades The big picture rhythm slashes, bar repeats, handwritten font, repeats now play back) Music for vernacular styles (rock, pop, jazz) (egs. Increased resemblance to a DAW (digital audio workstation) (eg. Update from Dorico (original edition): $99.99Įducation version, crossgrade from Finale or Sibelius: $159.99 Big selling points as advertised You can find the list of features side-by-side here: Pricing ElementsĬrossgrade from Finale or Sibelius: $279.99 There are now two editions: Elements and Pro. Hit me up at !įor now, here is what you need to know: Dorico 2 This is a wide set of improvements and additional features, which maybe one day I will try out if I run into some extra cash, but for now I will ask the musical community for their feedback on it. Even though I’m not ready or able to invest in another software upgrade, I wanted to spread the word that Steinberg’s Dorico music notation software has had its version 2 released. ![]() ![]() ![]() A case in point would be for producers who rely on samples we had great results recording vinyl into Audition and using its tools and effects to remove artefacts, trim start and end points, and generally tidy and enhance the file before transferring clean, optimised waveforms into Live for use in a more musical way. While it’s hard to see how a music studio would base its entire workflow around Audition – the lack of MIDI support will see to that - you can easily see how it could play a valuable supporting role. It’s in these specialist tools that Audition truly shows its worth. Where Audition has won favour is with podcasters, videographers and content creators Now, you can get rid of it by simply clicking a button. If you’ve ever recorded a vocal and found it has an unwanted echo, you’ll know how frustrating that can be. The most recent version of Audition added a new plugin which can remove unwanted reverberation from an audio file. It’s simple, it works, and it has genuine real-world utility. Then, using this print as a reference, it removes all corresponding frequencies from the rest of the file. You highlight a tiny section at a relatively quiet point in the file, and Audition creates a ‘noise print’. Cleaning background noise like, for example, a low-level hum is so simple. It possesses an arsenal of tools which you simply don’t find – or at least not to the same level – in the music DAWs. The trick perhaps most closely associated with Audition comes in its ability to fix, repair or clean audio files. From here, you have absolute, precise, granular control over the audio. Double-clicking an audio file in the multitrack environment takes you to a separate window, containing only the waveform you have selected. Honestly, this is where the playing field changes significantly. Where things do differ is in what is available to you when you have recorded a piece of audio. So why isn’t it more widely used by musicians?Ĭonnecting external equipment, like audio interfaces or mixers, is the same as it would be in any other DAW, and the actual act of recording itself is no different. Why is that? When is a DAW not a DAW? After all, Audition provides you with a multitrack recording environment, with insanely detailed tools for audio manipulation and enhancement, and still to this day has one of the fastest workflows we’ve come across. Here’s the thing though Adobe Audition allows the user to do many of those same tasks, yet you’d struggle to find anyone who’d include it in a list of popular DAWs. From Ableton Live to Cubase, and from Pro Tools to Bitwig, each offers a broadly similar set of features allowing the recording, manipulation, editing and production of audio into a musical format. We’re all familiar with digital audio workstations ( DAWs). More of the best podcast recording software options - free and paid.How to start a podcast: a beginner's guide to podcasting.The best podcast microphones: record your first podcast today.But is it something musicians and music producers would consider using? Gradually, over time, new features and functionality have been added to Audition, making it the pro-level audio editing and production tool we see today. Adobe relaunched Cool Edit Pro under its new name, Audition, in 2003 and started incorporating elements designed to make it play nicely with Adobe’s video editing application, Premiere. ![]() The Norsemen attacked Spain besides they entered the Rhône River and they devastated Italy. While they gought themselves, they purchased by tribute what they should have defended with arms, and the kingdom of the Christians succumbed. Using your notes, list two similarities and one key difference between knights and samurai. Almost no place, and no monastery, remained unscathed Rare was the man who said ‘ Stay, stay, resist, fight for the fatherland, for children and relatives ’. Comparing and Contrasting Draw a chart like the one below. They struck into the cities of Evreux, Bayeux and other neighbouring towns. They then captured Paris, Beauvais and Meaux Melun’s stronghold is razed to the ground. The Northmen attacked the city of Rouen and devastated and burned it. The evil done in those regions was no less than that perpetrated elsewhere. What the Lord warns through the prophet came close to fulfilment: ‘ From the North shall and evil break forth upon all the inhabitants of the land ’.Ī few years later, an almost immeasurable fleet of Norse ships sailed up the Seine river. Whatever cities the Northmen attacked, they captured without resistance: Bordeaux, Perigueux, Limoges, Angouleme and Toulouse then Angers, Tours, and Orleans were destroyed. Everywhere there were massacres of Christians, raids, devastation, and burnings. a type of government in which people elected their leaders b. A chart is used to illustrate relationships among the various social classes. The number of ships grew larger, and the Northmen were beyond counting. Passage Summary: This passage describes the system of feudalism during the Middle Ages. Justice was abandoned, and evil advanced. The Vikings overrun all that lies before them, and none can withstand them. Everywhere Christ’s people are the victims of massacre, burning, and plunder. “ The endless flood of Vikings never ceases to grow bigger. Terry Jones’s documentaries Medieval Lives.The characters are as follows: queen, knight, troubadour, lady of the high nobility, monk, travelling vendor, bishop, peasant, serf (woman), 10-year old girl, blacksmith. OPTION C: Record a 5 minute video as a ¨video diary¨ OPTION B: Open a Twitter account, and write a minimum of 15 tweets. ![]() OPTION A: Write a diary entry of one day. So, you will be required to describe the person (including his or her role in the social structure), and write as if you were him or her one day, as realistic, detailed and original as possible. Obviously, travelling back in time is only possible in films, so for this unit you will have to imagine and do some research about what a day in the life of somebody between the 9 th and 13 th century was like. ![]() If you want to scrap whatever formatting your text had a moment ago, the prompt Ctrl \ will help you. When you’ve realized your mistake, use Ctrl Shift . If you want to establish right-to-left typing, like a madman, use Ctrl Shift , to do it.ģ1. The prompt Ctrl Shift r will align your text to the right.ģ0. Using Ctrl Shift e will align your text in the center.Ģ9. To align your text to the left side, use Ctrl Shift l (lowercase “L”).Ģ8. Using Ctrl ] will allow you to indent more.Ģ7. If you need to indent your text to the previous tab, use Ctrl [ to regress.Ģ6. If you need to quote text in your email, you can use an indented format to make it more obvious and cleaner-looking. In Gmail, you can use Ctrl Shift 8 to call up a bulleted list, much in the same way.Ģ4. Use Ctrl Shift 7 to start or toggle on a numbered list.Ģ3. If your emails don’t have lists, you’re missing out on a critical organizational tool that makes your emails more concise and easier to read. You can use Ctrl u to toggle underlining on or off.Ģ2. You can use Ctrl i to toggle italics on or off.Ģ1. Using Ctrl b will allow you to toggle bold formatting on or off.Ģ0. The next few Gmail keyboard shortcuts might be familiar to you if you’ve used them in Word or another program. You can increase your text size with Ctrl Shift (the last in this prompt is the actual key, not a prompt to hold down another button).ġ9. You can increase the size of your text with Ctrl Shift – (appropriately enough).ġ8. Using Ctrl Shift 6 will give you the next font.ġ7. Using Ctrl Shift 5 will give you the previous font.ġ6. You can cycle through the fonts available with two keyboard shortcuts. They can help you format your text correctly, and set up your emails to be easier to read.ġ5. These keyboard shortcuts are almost exclusively used when you’re composing a new message in Gmail. Use Ctrl Alt , to go to the previous section. When you have a misspelled word selected, you can use Ctrl m to open a list of spelling suggestions.ġ3. Using Ctrl ‘ will let you go to the next misspelled word.ġ2. To go to the previous misspelled word in the document, use Ctrl to highlight it.ġ1. Let’s assume you’re in the proofreading phase and you’re reviewing suggested changes. Using Ctrl k allows you to insert a link into your message, which is especially handy if the link is already in your clipboard.ġ0. Access the custom “from.” You can also add a custom “from” address by using Ctrl Shift f to bring up your options.ĩ. For BCC, use Ctrl Shift b to add a line.Ĩ. If you’re ready to add your CC contacts, use Ctrl Shift c to do it.ħ. Just be careful not to slip on this one and send the email too soon!Ħ. If you want to send your current email, Ctrl Enter will make it happen. If you need to cycle back, use Ctrl , to advance to the previous chat or compose message.ĥ. Advance to the previous chat or compose message. to advance to the next chat or compose message.Ĥ. ![]() Sometimes, it’s helpful to flip through the emails in your inbox without moving your fingers from the keyboard. Advance to the next chat or compose message. If you’ve wandered away from your latest email draft, you can click Esc to bring focus back to it.ģ. Focus your latest chat or compose message. It’s helpful if you’re navigating somewhere else and you need to get back to your inbox (or whatever folder you were in last).Ģ. If you want to focus the main window, use Shift Esc. By default, I’ve listed them all as “CTRL,” but if you want to use the shortcut for Mac, just substitute the Command/Mac key. ![]() Many of these Gmail shortcuts require the use of a CTRL key or Command/Mac key. For each keyboard shortcut, I’ve included the keystrokes necessary to accomplish the desired function, bound by quotation marks. These keyboard shortcuts are for users of the Gmail desktop app. Just get your fingers on the keyboard and start using them!
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